Rap and hip-hop music now routinely incorporate anti-Semitic lyrics and themes of Jews as oppressors — note the lyrics of rappers such as Malice, Pusha T, The Clipse, Ghostface Killah, Gunplay, Ice Cube, Jay-Z, Mos Def, and Scarface. More recently, LeBron James, the Los Angeles Lakers basketball legend, tweeted out the anti-Semitic lyrics of rapper 21 Savage: “We been getting that Jewish money, everything is Kosher.” LeBron was puzzled about why anyone would take offense, much less question him, a deified figure. He has a point, given that singling out Jews as money-grubbers, cheats, and conspirators has become a sort of rap brand, integral to the notion of the rapper as Everyman’s pushback against the universal oppressor. The music executive and franchise owner is the new Pawnbroker, and his demonization is often cast as no big deal at best and at worst as a sort of legitimate cry of the heart from the oppressed.
Marquee black leaders — from Keith Ellison to Barack Obama to the grandees of the Congressional Black Caucus — have all had smiling photo-ops with the anti-Semite Louis Farrakhan, a contemporary black version of Richard Spencer or the 1980s David Duke. Appearing with Farrakhan, however, never became toxic, even after he once publicly warned Jews, “And don’t you forget, when it’s God who puts you in the ovens, it’s forever!”
Commentary Magazine
